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Normal People

07/12/2020

Normal People. Element Pictures / BBC / Hulu, 2020, 12 episodes, ~30 minutes each.

Directed by Lennie Abrahamson & Hettie Macdonald. Written by Alice Birch, Mark O’Rowe, and Sally Rooney. Shot by Suzie Lavelle and Kate McCullough. Scored by Stephen Rennicks. Edited by Nathan Nugent and Stephen O’Connell. Starring Daisy Edgar-Jones and Paul Mescal.

These are not normal people. Read More

Widows

12/30/2018

Widows. 20th Century Fox, 2018, 129 minutes.

Directed by Steve McQueen. Written by Steve McQueen & Gillian Flynn. Shot by Sean Bobbitt. Scored by Hans Zimmer. Edited by Sean Walker. Starring Viola Davis, Elizabeth Debicki, Michelle Rodriguez, Cynthia Erivo, Brian Tyree Henry, Daniel Kaluuya, Colin Farrell, Robert Duvall, Lucas Haas, and Liam Neeson.

Spoilers, if you care about that kinda thing

Widows is an obituary for the Obama era and a plan of attack for this one. Read More

Citizens United is Destroying the Republican Party

02/08/2016

So now that the good people of Iowa have gone to the polls, or whatever it is exactly they do at their caucuses, and begun to draw our long national nightmare to a close, you mighta thought they’d have managed to thin the herd a bit. Sure, Rand Paul and Rick Santorum fell to the wayside, but nobody even knew Santorum was running, and Paul was always the Right’s version of a protest candidate. Meanwhile everybody else is still stampeding toward the cliff.

What’s driving them in that direction is, ironically enough, Citizens United. Read More

True Grit

01/29/2016

The Film Forum is screening the Coens’ True Grit this weekend, so I dredged up this essay I wrote but never found a home for back when it was in theaters.

 

The first cinematic take on True Grit was released in ’69, the same year Butch & Sundance and The Wild Bunch exploded into theaters. The latter two films were loud and dirty and bloody and their heroes didn’t ride off into the sunset but instead charged headlong into the line of fire. Outside the theaters American politics — maybe, some thought, even America itself — had reached something of a cul-de-sac, and these films reflected it. True Grit drew the focus in a little more tightly on a single aspect of the problem, in the form of its protagonist Mattie Ross.

Kim Darby as Mattie Ross in True Grit ('69) Read More

Some Notes on John Carpenter

10/19/2015

Dark Star

Dark Star (1974). As film school sci-fi goes, THX 1138 (’71!) remains the reigning champion, but cross-splicing Strangelove (’64), 2001 (’68), and The Prisoner (’67) is inspired. Space as job. Hard not to see that as O’Bannon’s DNA, particularly given the modest debts the first two Alien films owe this one. Carpenter’s might seem harder to detect, until Lt. Doolittle decides it’s time for some EVA to talk epistemology with the sentient bomb half out of the cargo bay that’s insisting on detonating. The bomb is arguably overly credulous; it doesn’t take long for Doolittle to convince it that it has no real grasp on reality beyond its ‘senses.’ The suspicion of appearances, the sense that our senses are failing us, that they don’t convey the fundamental reality with which we’re confronted, that’s something Carpenter will work with for the next three decades. Then again: the men piling into cramped quarters, turning on each other; Doolittle surfing into some rock’s exosphere; the chromosomal traces are everywhere. “Let there be light,” the bomb declares. Destruction as creation, a solipsistic God as annihilating force. Start again. Read More

Iterations, Bias, Context

08/07/2015

I’m a news junkie. It’s a legit issue, I should go to meetings (“Hello, my name is Nick…”), but I don’t have time because I have news to read. One of the ways I cope with the deluge of news/indulge my compulsion is to make liberal use of the function in the NYT‘s app that allows you to save stories for later. Then when I’m on the train, or killing time before a movie or whatever, I bang through some articles and pretend I’m making progress. Which is how a few days ago I found myself reading an article in the app titled “Palestinian Teenager is Fatally Shot While Protesting Deadly Arson Attack”. This was Diaa Hadid’s well-reported account of the death of Laith al-Khaldi (17), shot by the IDF during a protest over the death of 18-month-old Ali Dawabsheh, burned to death during the aforementioned arson. Toward the end of the piece there were a few links I wanted to take a look at, but for some reason or other I didn’t want to do so on my phone. So when I got home, I cracked my laptop, punched the title into my search engine, and hit the link.

And discovered the story had disappeared. Read More

Towards an Inquiry Into the Work of Arnold Schwarzenegger

07/25/2015

It was always going to end this way. Time after time he would come to their rescue; he was protecting them, they were helpless without him; he was avenging their defiled honor, redeeming his own vitiated masculinity (the appeal of this for the white male demo as morning broke across America). He would endure humiliations, trials, tribulations. He unleashed a tidal violence in their name, sweeping away everyone in his path. He slaughtered his opponents with glee, with the same enthusiastic sadism we felt watching him. He was us. Read More

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